#IZOTOPE STUTTER EDIT PRESETS GENERATOR#
#IZOTOPE STUTTER EDIT PRESETS MOD#
#IZOTOPE STUTTER EDIT PRESETS SOFTWARE#
#IZOTOPE STUTTER EDIT PRESETS SERIES#

On the flip-side, most studio producers will be able to replicate the type of effects here manually without too much trouble. Stammer jammerДЄside from those obsessed with composing a BT sound-a-like, who would find Stutter Edit useful? It's a tough one, as the package sits between two very distinct camps.ДJs and live performers will find the gestures and tempo-synced automation fantastically simple for adding spice to their mixes. IZotope reckon that future updates should see these issues laid to rest, however. It's also a little annoying that the Gain slider's lowest setting is -20dB, so you can't create risers/fallers that fade in from total silence. We would love to be able to load our own audio files into the Generator, but sadly that feature seems to have been overlooked - at least for the moment.

#IZOTOPE STUTTER EDIT PRESETS GENERATOR#

We found that the Generator works especially well with sweeping pads and strings, as it can be used to add a little sparkle to the end of a phrase while it's being stuttered.

Its got its own effects, too: filtering, delay and sample-rate reduction. The Generator has its own pop-up editing window, and it offers its own selection of split sliders for setting start/end points for its parameters. These are a mixture of hits and looped noise textures that play back on top of your track (rather than muting it, as the Stutters do).ДЄgain, everything is tempo-synced, the difference here being that you can have the gesture automatically stop at the start of the next bar (or one, two or three bars after that), making it perfect for build-ups. However, each MIDI note can also be assigned to trigger a Generator sample loop. So far we've only talked about the Stutter gestures. iZotope says that they're considering adding such functionality, so here's hoping. While we appreciate that the point in the plug-in is that it handles most of the manipulations for you, not being able to manually intervene is a massive oversight that would've made the package a more formidable production and live tool. This means that to create variations on a gesture, you have to manually set up separate patches or play the plug-in 'live' whilst trying to ride the faders with the mouse. Very cool!ДЄs outstanding as all of this one-finger stuttering business is, it's frustrating that there's no option to assign MIDI CC controls to any of the sliders. It offers a number of patterns for traversing the range of values, too. To this end, there's the Quantize module, which will cause the Stutter module to snap to the specific rhythmic/note values specified in the Stutter Matrix. The Stutter module can transition smoothly between each possible slice size, which can cause the slices to drift out of time (or key). You can even use slice sizes that correspond to musical notes by clicking on a virtual keyboard - exploit this to create melodies and arpeggios. You could set it to just eighth-notes and 16th-notes, for simple rhythmic fills or you could allow only the fastest settings, for crazy IDM-esque buzzing. It enables you to restrict the Stutter module to just the slice sizes that you want to use. There are plenty of 'glitch' plug-ins on the market, but Stutter Edit's Stutter Matrix is one of the features that sets it apart. Much of what Stutter Edit does could be done manually in any DAW with some extensive audio chopping and effects routing, but that's nowhere near as simple and fun.

#IZOTOPE STUTTER EDIT PRESETS SERIES#

We couldn't resist running three instances of Stutter Edit in series to see how it would hold up - this resulted in a complex sound with smooth transitions. Each effect can work in a stereo linked manner or with separate settings per channel. It needn't be a plain linear transition from minimum to maximum, as there's a setting for curve shape. When you hit a MIDI note, the parameter glides smoothly from beginning to end, then starts over.

#IZOTOPE STUTTER EDIT PRESETS SOFTWARE#

Once you get into editing the gestures, the software becomes more than just a novel curiosity.Д®ach module has 'split' sliders for its available parameters (eg, delay time for delays, bit depth for the bitcrusher), and while these can be set at fixed positions, the real fun is had by setting a start and end point. Using even the simplest loops as a starting point, it's possible to go wild with the gestures, and the results are instantly musical. This was all without touching a single control on the front panel.

By default, these control the global filter (a DJ-style combined low-pass/high-pass affair) and starting point in the gesture.

#IZOTOPE STUTTER EDIT PRESETS MOD#

We had a couple of hours of self-indulgent fun running tracks through the plug-in and messing with the pitch and mod wheels. There are hundreds of presets from the likes of Richard Devine and BT himself, so it really is a case of plug and play.

Izotope stutter edit presets